September 20th, 2014

zoologicalpt:

Here is a SMALL art tip. But this one was lined up for this week a while ago.

Usually people underestimate the “power” of mixed media. The texture of coloured pencils is AWESOME, but usually the colours don’t look perfect because we always see those white gaps in it.

This is a easy way to get around that problem :)

Hope this helps people who are trying with traditional arts and whatnot :) ENJOY ;) AND SPREAD THE WORD

(via ajax-daughter-of-telamon)

September 9th, 2014

libutron:

Huichol Beaded Jaguar 

This wooden jaguar was made by a Huichol artist that lives in Jalisco, Mexico. The wooden piece is covered with bees wax then pressing beads into the wax to form the designs.

The close up shows the fine detail of the work especially the jaguar’s collar with its scorpion design.

Photo credit: ©Karen Elwell | [Top] - [Bottom]

(via lastrealindians)

August 21st, 2014
hyperallergic:

Indigenous Fine Art Market, John Torres Nez, Native American Art, Santa Fe, Santa Fe Indian Art Market (via Native American Artists Take Control of Their Market)
ALBUQUERQUE — Not often, when a popular board member leaves an arts organization, do constituents get riled enough to do something about it, other than perhaps grumble on Facebook. However, John Torres Nez’s resignation from the Southwestern Association of Indian Art (SWAIA) in April tapped a well of discontent that had been bubbling for a while: Native artists were unhappy with Native art markets run by non-Natives.
READ MORE

hyperallergic:

Indigenous Fine Art Market, John Torres Nez, Native American Art, Santa Fe, Santa Fe Indian Art Market (via Native American Artists Take Control of Their Market)

ALBUQUERQUE — Not often, when a popular board member leaves an arts organization, do constituents get riled enough to do something about it, other than perhaps grumble on Facebook. However, John Torres Nez’s resignation from the Southwestern Association of Indian Art (SWAIA) in April tapped a well of discontent that had been bubbling for a while: Native artists were unhappy with Native art markets run by non-Natives.

READ MORE

August 6th, 2014
cinthyapassarelli:

#100happydays #dia28 #100diassemstress que a noite seja leve!

cinthyapassarelli:

#100happydays #dia28 #100diassemstress que a noite seja leve!

hyperallergic:

(via “Liberals Are Killing Art,” or Critic Jed Perl Gets Emotional)
Jed Perl, a savvy polemicist far above fatuous windbag trolling, is mad as hell. Why? Because “Liberals Are Killing Art,” according to the headline accompanying the art critic’s latest for The New Republic.
READ MORE

hyperallergic:

(via “Liberals Are Killing Art,” or Critic Jed Perl Gets Emotional)

Jed Perl, a savvy polemicist far above fatuous windbag trolling, is mad as hell. Why? Because “Liberals Are Killing Art,” according to the headline accompanying the art critic’s latest for The New Republic.

READ MORE

July 31st, 2014
groeneinkt:

Barn Owl, Emily Sutton.

*********************
our human friend piro has one of these in her neighborhood now.  she says the weirdest thing about them, and the reason she knew it was a barn owl and not another kind of owl, is they do not hoot.  they make a weird long drawn-out creaking noise.
we did not know that, but of course we wouldn’t, for we are fish.

groeneinkt:

Barn Owl, Emily Sutton.

*********************

our human friend piro has one of these in her neighborhood now.  she says the weirdest thing about them, and the reason she knew it was a barn owl and not another kind of owl, is they do not hoot.  they make a weird long drawn-out creaking noise.

we did not know that, but of course we wouldn’t, for we are fish.

(via phoebe-bird)

June 27th, 2014

drawgabbydraw:

I forgot how to draw faces just now.

Edit: butlerbookbinding said: The secret is to draw butts, until you can remember how to draw faces again.

April 16th, 2014

I consider myself to have strong socialist beliefs but what I'm curious about with socialism is where would the entertainment industry go and amusement parks and what not. I feel as though they are products of capitalism only
Asketh - Anonymous

amodernmanifesto:

In terms of the cultural industry under socialism, I have a much clearer idea than things like amusement parks and stuff.

The socialist approach to art is a dual one. Firstly, we believe that people who devote their lives to art should have that recognised and be able to live off that. At the same time, we understand that art is a fundamentally social phenomenon, and we want to allow all people in society to participate and create art.

So how do we fulfill these purposes. Firstly, artists would probably organise themselves into collectives, based around artistic style or school or social circle or geographical location. These collectives would apply for offices, secure supplies and generally organise themselves. These collectives would also be integrated into the local community, doing community outreach, artistic and design projects, etc. This could be from painting a mural to organising a festival to teaching art classes.

As well as this, the collectives could organise themselves into a large Artists Coalition or Association, which would co-ordinate national projects, run arts schools, etc.

Multiple collectives would combine to pull off larger projects. For example, to make a feature film, several film and art collectives would have to come together, as well as writers and others, to put the film together. This would also include the support of community and worker organisations.

Would there still be an industry? Yes, in the sense that art will still be produced in combination. But it will be a far more open, creative a democratic industry.

but there is a problem here.  the arts do not always take place in a collective fashion.  artists are as inclined to work alone as together.  we love and support collectives, but this repeated refrain by socialists/communists about arts becoming a kind of joint effort seems to contain a deeply flawed analysis of how artists actually operate.

many artists are only artists.  that gives you a big skill set, but still, is that something socialism wants to curtail?  everyone suddenly has to be a certain way?  we don’t think it’s very socialist, but the bent of all previous revolutions has definitely favored conformity, and that is a direct assault on the arts. 

also when it comes to multitasking, for example, many artists can’t teach, or don’t want to.  many artists are self taught and want to continue doing things on their own.  many artists are writers, and writing is not a work done by committee.  many artists use their art to communicate with the world because they are, inherently, anti-social, and socialism doesn’t really allow for this kind of individualism or coping mechanism, does it?

what we are trying to say is, socialism seems to run right up against one aspect of humanity on a regular basis, and that is the desire for many people to do things ALONE.

keep in mind, we are socialists, and have been for decades!  and we are artists, and love other artists!  but if there is a deeply problematic area for us when it comes to socialism/communism, it is where the arts are concerned.  it does not escape our attention that within attempted socialist/communists states (imperfect as they were, and ultimately unsuccessful as most of them were), artists still tend(ed) to work outside the socialist construct, not within it.  just as many artists work outside the capitalist construct even now.

one question is, does socialism respect the unique process of art?  historically it has not (no more than capitalism does.)  theoretically there also doesn’t seem to be a lot of room for art under socialism.  there’s this weird idea that “oh, everyone is creative, everyone is naturally an artist, everyone will be able to do their hobbies etc. come the revolution”, but that fails to take into account those of us who are absolutely NOT hobbyists (nothing wrong with hobbyists! but it’s not the same thing!), who are driven to create, and who don’t want to do it as a sideline the way we are forced so often to do it under capitalism now.

another question is, if a musician wants to play guitar with some friends and turns out to be brilliant and people want to hear them, how does that musician get recompensed under a socialist system?  what is the value on that?  or if a writer spends twenty years laboring over a brilliant book, and all that while is working but not producing anything in the technical sense, how is that recompensed under socialism?  is it really any better than capitalism if you end up struggling just as hard as a writer and in the end there is still no security and no reward of any kind because you didn’t make something other people can see?

a third question is, since the arts are as much about failure as they are about success, how do people get the room to fail under a socialist system?  (this might apply to science/medicine as well, actually, except if someone fails after trying to write a book for twenty years, most people just think Oh, a loser, but if you fail at an experiment or at a cure, it’s seen differently.)

this is long, but a primary concern to us.  we believe that these solutions could evolve within the revolution, but if no one even asks the questions or contemplates them, we’re not sure how.

March 9th, 2014
artruby:

Tom Sachs, Tiffany Glock (Model 19), (1995).

artruby:

Tom Sachs, Tiffany Glock (Model 19), (1995).

March 3rd, 2014

5centsapound:

Lawrence Paul Yuxweluptun

Lawrence Paul Yuxweluptun, of Coast Salish descent, graduated from the Emily Carr College of Art and Design in British Columbia. In combining his own experiences with a political perspective, he paints landscapes with vivid, acidic colours, merging Native iconography with a surrealist influence to address West Coast Native issues (*with searing and unapologetic detail)

[…]Yuxweluptun has chosen art as a way to voice his political concerns, exposing environmental destruction and the struggle of Native people. He believes that his artwork stimulates dialogue between Native and non-Native people.

Fucking Creeps They’re Environmental Terrorists, 2013 

THE IMPENDING NISGA’A DEAL. LAST STAND. CHUMP CHANGE.1996

Scorched Earth, Clear-cut Logging on Native Sovereign Land. 1991

MONEY, POWER, GREED,  2012

THE DIRECTION OF LAND CLAIM NEGOTIATIONS 2013

Burying Another Face of Racism on First Nations Soil,1997

Usufruct 1995

INDIAN WORLD MY HOME AND NATIVE LAND 2012

Yuxweluptun is Salish for “man of many masks,” a name given to the artist during his initiation into the Sxwaixwe Society at the age of fourteen. It is Cowishan Salish belief that the Sxwaixwe is a supernatural being who came down from the sky to live at the bottom of a lake. There is a dance associated with this creature in which the mask plays an important role. Yuxweluptun explains, “You carry the mask that belongs to your family and you identify with the animal on the mask.” (Robin Laurence, “Man of Masks,” Canadian Art, Spring 1995).

(via everminding)

January 15th, 2014

ancienttimenews:

Artist Simon Beck

It’s possible you’ve never heard of Simon Beck, but after today, you won’t be able to forget him or his wintry works of art. Simon is an artist and is most well-known for making incredibly delicate and detailed art in the snow, just by walking over a fresh snowfall. Heliterally walks miles in the snow to create these pieces. And the part that blows our minds? He could spend hours upon hours creating one design, just to have it be covered by snowfall or blown away by the next day. But he still makes them.

(via dollsandcrafts)

January 14th, 2014

nearlya:

Max Bashev

Cecilia with her Favorite, 2010, acrylic on canvas

Black Madonna, 2009, acrylic, glitter painting, orgalit, oracal

Surrender of Breda 2, 2013, acrylic on canvas

Cecilia with an Ermin, 2013, acrylic on canvas

(via diodellamorte)

January 11th, 2014
this human person makes lovely oil paintings, as well as these really nice, substantial, chunky handmade journals!  we love it!
click the picture for the link!

this human person makes lovely oil paintings, as well as these really nice, substantial, chunky handmade journals!  we love it!

click the picture for the link!

ceramicsnow:

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, Variable dimensions. Photos by Mel Bergman.

(via ceramiccity)

January 7th, 2014